Friday, 6 November 2009

Waiting to exhale



Back in London, as I shake the Delhi dust off my shoes, and still fresh to my memory, I want to put finger tips to keyboard, and post some thoughts about my short 7-day trip to Delhi, visiting Jaipur and Pushkar.
Andy Craggs and myself made a brief exploratory visit to India to connect with local contacts and friends, with the plan of holding a photo-workshop in Rajasthan next year, complimenting the other 3 destinations on our 2010 program. We stayed with Poh Si, (www.pohsiteng.com) an Award winning energetic videographer and multimedia journalist, and Mayank, a Supreme Court lawyer and awesome ping pong-er.



On the way home in a taxicab from Heathrow, I contemplate my past week spent in the dry and dusty climate that surrounded Delhi and Jaipur in North India. It is eerily quiet, cruising on the M4 motorway. So different from riding the open auto rickshaw cabs that toot their hoots at every possible opportunity, their little 2 stroke engines throbbing along in earnest, whilst zigzagging in and between overloaded lorries, decrepit buses, other auto rickshaws, the odd private car, and camel carts. Camel carts?





Yes, this is India and the streets aren't paved with gold, but mounds of garbage, decaying vegetation, dirt, dogs, pigs and street people. For Delhi, with its 13 million inhabitants, you would think the draw of India's financial and administrative capital would offer the many millions that come to find solace, shelter and jobs there, its share of the pot, however infinitesimally small, it may be. But it appears that the pot is near empty. Many have nothing apart from the loin cloth they wear around their waist.




Air India has projected a loss for 2009 at USD1 Billion and is expected to cut its loss-making routes by the end of the year. The city is straining to complete its Delhi Metro subway system in readiness for the Commonwealth Games to which it plays host in 2010. Not having read up on India in detail, I cannot even begin to delve deeper into the social, environmental and financial let alone the religion and caste practices that makes up the ever-so complex fabric of Indian society.



I just observe. As a first time visitor and with my camera. A week of casual observation is insufficient to make general statements in a country that is home to 1 billion people, but first impressions and gut instincts help. Some figures are staggering.


Indian Railways apparently run 14,000 services every day, shifting over 20,000,000 passengers from north to south and east to west, and everywhere in between. Granted, many do not pay but ride the roofs of carriages precariously as we discovered on our train ride back from Jaipur the other day. Just like the Chinese, Indians are survivors.


We took a walk down some side streets in Jaipur and saw all manner of trades, from meat sellers, carpenters, metal workers, mechanics and 'chai' vendors working away. Stalls carts spring up from no where, selling samosas, chapati and lime drinks, every one it appears is selling something or know of someone that sells something.





One evening in Jaipur, we met up with some local English contacts at the Rambagh Palace Hotel, a magnificent historic palace set in acres of lush green and sprinkled lawns, with own polo field. The Maharani of Jaipur still lives there, in a separate annexe. We had G&Ts and Singapore Slings, made plans and chatted over wasabi crackers, canapes in the dimly lit air conditioned Polo Bar. In contrast, on the way there by auto rickshaw from the old city, we passed by many destitute homeless street people who had no faces, and witnessed a scrawny frame corpse being carted away in what looked like a municipal vehicle. Such is Life and Death in India. It is probably impossible to come to terms with the situation that is the Cycle.



My fondest memory of the trip was in Delhi on second evening. Poh Si brought us to dine at Connaught Place or CP as it is better known. This is 'downtown' Delhi, and is the place to hang out in the evening for food, cinemas and watering holes. We went to an Indian Restaurant called Amber and ordered tandoori chicken and briyani rice, sweet nan topped with chopped pistachios of which the name escapes me (delicious,...Poh Si..help, I want that name..) and Kingfisher beer.


After chow, we hopped on and off several auto rickshaws (another story.. video below) and made our way to India Gate, a sort of Marble Arch or Arc de Triomphe. It was a pleasant evening, and the light was good. The streets radiating from the monument were lined with ice cream vans and foodcarts, and the whole place was radiating energy.



For the first time, I saw there were more women than men outdoors, families, old and young were simply enjoying the sight, men were selling glowy, flashy twinkling toys, bubble-machines, bangles, bead necklaces, balloons, it was great! The journey home was equally enthralling. Trying to hail an auto-rickshaw at that time was near impossible, and when one did appear, trying to get the driver to 'unbreak' the broken meter always ensued with shouts of "meter-ON!, meter-ON now!, nen, nen you cheating hah! Nen!" Our tenacious and principled host Poh Si always attempts (and succeeds!) to threaten them by logging an immediate call to the Auto-Complain hotline, which she has programmed to speed dial on her mobilephone.


video


All this makes for great comedy for us visitors, but I can imagine the frustration setting in if it is a daily occurence, even for local Indians, as Mayank confirmed.



All is not lost however, and there are promising signs. The nation's future is in the hands of the Indian youth and we had first hand experience of this. Cliche as it may sound, this seems to be the only way out. We were lucky to come across an honest auto rickshaw driver by the name of Ram in Jaipur. He acted as our 'tour guide' whilst driving us to the Amber Fort 11 kms north of the pink city, without seeking more 'baksheesh'. Ram is 44, and have been driving rickshaws for 30 years, he tells me. On our last evening in Jaipur, he invited Andy and I to visit his humble rented home, which is situated just outside our hotel compound, on land owned by the hotel owner. Pretty basic but cosy, Ram lives there with his 3 daughters, wife and son of 20. The girls go to private school nearby instead of the local government school because English is only taught in the former. The fees are naturally higher but he values their ability to speak the language of the 'farang' or white skinned people.

Delhi is also home to many outsourced call centres, and these jobs require a good command of English.

We also made an impromptu day trip to Pushkar from Jaipur. Pushkar is a small town north or Ajmer and hosts the world famous camel fair ever year around November. Hundreds of thousands of visitors descend on this town along with thousands of camels from all over India. Trading is the keyword. Camels and horses also.


Tourists flock there to witness the sight in the surrounding desert landscape. The town also houses the (apparently) only Hindu shrine dedicated to Lord Brahma. We had missed the festival, and the Pushkar lake was dried out. It felt like a travellers town, a cowboy outpost for backpackers and hippies. Hell, I even saw a turbaned Caucasian on a Harley.. We will definitely add Pushkar to our desitination for the workshop.


Colour is the second keyword in Rajasthan. The saris are deep red, blue and yellow and most local women wear them with pride, often adorned with glittery accessories. I wonder why the menfolk have adopted simpler or Western attire. If the women we saw mending the roads and tending the fields can do it in their saris, surely the men too?







My Indian experience then, is only a glimpse, a starter course, a blink of an eye. Delhi's Red Fort, the serenity of Humayun's Tomb, Lotus Garden, the alleyways of Chandi Chowk, the blue city of Jodphur, the sand fort Jaisalmer, the magnificence of the Taj Mahal in Agra, there's plenty more. It has made me even more curious to see and photograph the rest of Rajasthan.

India, we will be back for more. The Rajasthan workshop will be an interesting one.


Rajasthan! 12-Day Photography Workshop is planned for November 2010. See www.explorenation.net
For more images and videos please visit the facebook group page. Click on photos to enlarge.

Thursday, 29 October 2009

Head out onto the streets... Part 2


Point 3. Get in motion

Take a walk, and observe the passing scenery before you. Because you are now in motion, reality is quickly taking on another dimension, it becomes 3D in your mind’s eye. Your pace and your choice of lens will define a virtual bubble of space that you will encounter these ‘conjunctions’ and hence photograph them. Objects, people and scenes will flicker in and out of your space, and it will be at this moment that you begin to see photographs. I recommend a semi wide-angle lens, 35mm to 50mm is ideal, and pre-focus to 3m to get you real close to your subjects. If you have studied what the angle of view is a 35mm lens will cover at 3m, you will have these mindframes in your sight at all times.


Point 4. KISS !

Everybody asks me about equipment. So here goes. KISS! Keep-It-Simple-Stupid ! If you have just bought that brand spanking new D3X body with a super fast zoom lens that weighs 5lbs, then you will hate me. You might have arms the size of tree trunks to carry the monster but, you will surely annoy several, if not everyone you photograph because, discreet and anonymous, you are not. Stick to simple, light cameras with a short zooms, or fixed wide-angle lenses that let you concentrate less on settings, and more on the scene. Know your equipment well to avoid fumbling with Modes and settings etc. Don’t shoot and chimp. Chimping is the habitual act of looking at your LCD screen after every shot, which takes you away from your scene. Turn the auto review off! It will save on your batteries and you won’t look like a monkey! Chimp when you have finished a scene or when you are taking a rest.


Point 5. Be invisible!

Do not hang your camera like the ubiquitous tourist – round your neck. Firstly, you will stick out in the crowd. Wear it around your wrist with the strap. It would be more discreet and you will be ready to lift your camera to your eye in an instant. Walk with the flow of the crowd in a busy street but be prepared to retrace your steps if you spot something of interest. Be flexible with your shooting angles. By dropping to your knees, or crouching, you can alter the viewpoint instantly without too much effort. Blend into the scene by dressing in similar styles to the crowd.


Point 6. What to shoot?


The street throws up many layers of activities, often unseen by passers-by. Go off the main track and you will see more. Look out for anything unusual : human behaviour and stances, dress, hair styles, animals, colours, people in conversation, shopping bags, market activities, road signs, funny signs, store windows. Juxtapose the obvious with the interesting or its contrast. Watch for people at road junctions waiting to cross, at the bus stops, on the sidewalk cafes. There’s plenty of fodder for your camera. Remember to place the picture. This means that the photograph must show the environment and its subject. Its no use photographing an old coffee mug close up, better to show an elderly man drinking coffee in an old coffee shop.


Point 7. Tell a story

Link up your images to weave a storyline, however loose it might be. Once you have ‘locked on’ to a story, your images will begin to speak to you, and hopefully, your viewers. You may want to photograph specific stories like store keepers, street vendors, five foot way signs or old coffee shops in your town, or get a broader picture of urban life in the city, depicting subway users going to work, the rush of people in suits, or at a railway station.



Whatever it is, prepare your walk with your ‘point of departure’ in mind. This is a mental exercise and preparation to train how you see, without the inevitable added distractions. By fixing in your mind what are you going to photograph on your outing only, your ‘keep’ rate will increase without the burden of shooting everything that attracts you. Unlike photojournalists who have a brief to adhere to, you don’t, but you still need one.


Point 8. Editing

In all respects this is most crucial step in the whole process. After a day’s shoot, you would have gotten possibly several hundred images. How do you whittle them down? The obvious favourites will stand out and those can be picked off easily. Delete the truly awful, meaningless images that are out of focus, blurred and simply rubbish! Be brutal and honest.

You will be left with perhaps 3 categories: ‘great’, ‘maybe’, and ‘maybe maybe’. Keep them as they are and revisit them after a week or so. In each image there will be some element of the picture that you will find interesting, even in the ‘maybe maybe’ category. After all, you pointed your camera at the scene and clicked the shutter! You must have, consciously or sub-consciously recognised some gem, and took the shot.



After several gallivants in the street, you will have made a reasonably large collection of images, and you can begin to piece together a storyline or theme that links your best street photographs. Lastly, enjoy your shoot.



Monday, 26 October 2009

Delhi, here we come!

This Friday, Andy and I are traveling to Delhi and Jaipur on a reconnaissance trip to work out our itinerary for the 2010 Rajasthan Workshop. With trusty Lonely Planet in hand we have several meetings already planned in both centres. The landscapes should be fantastic and the colours vibrant.

More to come...

Thursday, 15 October 2009

Paris in the Fall : The Book is now available!

World Travel Photo...
By explorenation.net

(Preview some sample pages by clicking the Book Preview link.)

BRAVO EVERYONE!


Recipe : Mix together group of photo enthusiasts, a few cameras, a long week in Paris, a good pair of shoes, some great food, ADD the autumnal Parisian air and VOILA! this is what you get..Paris in the Fall : a collection of images captured by the participants of the recent photography workshop by explorenation.net, who are Steven Lee and Andy Craggs.

Places visited include Palais Royal, Le Lourve, Passages Couverts, Pere Lachaise, Bastille, Tuileries and the Seine.

This is the second book featuring the best of our workshop participants' photographs, the first being Sarawak, Borneo earlier in May 2009. We were SO impressed with the visual skills our early adopters gained so quickly..ah..and Paris is as photogenic as ever!

Wednesday, 30 September 2009

Photo Workshop : Paris In The Fall

06/10/09 Update : Ah..Paris!


After a marathon long weekend pounding the streets of the 1st, 2nd, 3rd, 4th, 6th and 20th arrondissements of Paris, and many kilometres covered in the process, we are now back in our respective home cities. To our participants, thank you for joining Andy and myself in Paris, thank you Vero for the bubbly, Crystele for your company and support in getting some video of us at La Bastille.

Our itinerary on the first day included the atmospheric 'covered passages' in the 1st and 2nd arrondissements, as well as the Palais Royal and a visit to the famous Pere Lachaise cemetery where luminaries such as Chopin, Jim Morrison, Edith Piaf, Oscar Wilde and numerous others were laid to rest. The cemetery is set to the east of the city surrounded by a high wall, on hilly land and is beautifully acacia-tree lined with with crypts and tombs on long avenues, some in desperate state of decay whilst others are brand spanking new.


The second-day we photographed at the Seine, Louvre and Tuileries gardens, Place Vendome before heading back to the Musee d'Orsay for a fabulous lunch stop. We encountered a lone sax player under a road bridge which was just the perfect picture for an urban portrait. Mind you, he was a few Euros richer after our group of photographers passed by!


On Sunday morning, we congregated at the steps of the Bastille to photograph the amazing street market on Boulevard Richard Lenoir, a short stroll away. This amazing Sunday market is one of Paris's finest, offering fresh produce, meats, fruit and veg, cheeses and cooked food.


This group photograph was taken outside the Maison Europeenne de la Photographie
at Le Marais. There were several exhibitions on-going which were well worth seeing, including Ferdinando Scianna's'Geometry and Passion' collection and Ara Güler's amazing vintage photographs of Istanbul taken in the 50'-60s.




30/09/09 : Paris, here we come!


I'm off to Paris on the 09:01 Eurostar tomorrow morning to prepare for our workshop commencing Friday to Sunday evening. Will post updates from the City of Lights.